Wednesday, July 25, 2007
Panasonic 18x Zoom LUMIX DMC-FZ18 Camera
The new Leica DC Vario-Elmarit allows zoom range of 28-504mm. It allows slightly wide angle coverage as well as massive zoom in capability. If this was a 35mm camera, the lens would look like a telescope. Macro performance has been greatly improved to allow minimum shooting distance of just 1cm at the wide end and 1m at the tele end. The only worry is distortion. If distortion is kept low, this would be a tremendous camera.
The new feature common in all the new Panasonic cameras is the Intelligent Auto Mode feature. Tired of getting poor pictures out of the Auto mode? This new mode automatically detects motion, faces, shake, and even the type of scene and sets the best settings. Scene detection includes normal, portrait, scenery, macro, night scenery and night portrait. It sounds quite amazing and could be a godsend for times when you need to hand the camera over to a friend or when you're just too lazy.
I find it curious why Panasonic brought out this camera so soon. Could this mean the end of the FZ50 series? In any case, the Panasonic LUMIX DMC-FZ18 looks to be a very good camera. It will be available in September 2007 for an MSRP of $399.95.
Wednesday, June 20, 2007
Canonet QL17 G-III
The finish of the QL17 is top-notch with beautiful trim. It feels quite heavy in the hand for its size, giving a sense of good quality. The namesake quick load system is a joy to use; pull out film to the indicated position and close the door. No more putting film headers in slits. In the back, there are indicator windows to give assurance that film is being advanced when the level is wound. One odd thing is the shutter button. It is a little wobbly with some play...just does not give the same solid feel as the rest of the camera.
The focus ring has a finger tab. It is a necessity given how thin the focus ring is. I can imagine it being very useful when I have gloves on, but I find it awkward because I have to take my hand slightly off the lens barrel to push the tab. I also find the aperture and shutter speed rings a bit stiff. They are thin and does not provide enough traction.
The Cds meter is activated during shutter-priority mode. When the aperture ring is turned to the 'A' position, the meter needle indicates the chosen aperture as the shutter speed ring is moved. It almost feels like aperture-priority when looking through the viewfinder. If the chosen aperture is out of range, the shutter release will lock and cannot be depressed. The photographer can then switch to manual mode to override the settings. I think this works better than the sometimes hard-to-see arrows on the Yashica Electro 35 cameras.
Inside the meter window right above the lens, there is a ring with holes of various sizes that correspond to each shutter speed. Sometimes I wonder if the meter will work accurately if the hole is off center when I change the shutter speed. In the Yashica Elector 35 cameras, the holes are tied to the ASA selected which I think is a better implementation. Nonetheless, all the pictures came out great in my test roll, so I guess it works well enough :)
My biggest complain with the QL17 is the viewfinder. It's nice and bright, but it makes the rangefinder spot quite hard to see in low light. My Yashica GX has a viewfinder with a dark green cast. At first I thought it's kinda dark; now I understand it helps to create better contrast with the golden spot so it is easier to focus.
I personally feel the QL17 is a camera for the more deliberate shooters. It works great if there is time to adjust the shutter speed till the desired aperture is reached. Manual mode is also a nice thing to have for street photography.
Related
Friday, June 15, 2007
Pentax K10D Grand Prix Limited Edition Package
The K10D is certainly a great camera. Now Pentax just have to make avaliable some good cheap autofocus primes on the market. It's a strange situation to have ONLY the Limited lenses in stock and everything else sold out...
Wednesday, June 6, 2007
Konica Wai Wai Super Wide camera
Lens performance is of course not even close to competition for an SLR lens. Center is acceptable and the corners are quite fuzzy. The minimum in-focus distance is 40cm, which is somewhat limited for such a wide lens, for example if you want to close up pictures of your dog and keep it not too small in the picture. For people pictures though, it's perfect and produces very interesting effects.
There's just one tiny little problem: this thing is disposable. Luckily, Konica has designed it well enough that people discovered a way to reload the film! I tried it myself, and didn't find it too difficult. The only tricky part was that I had to hide in a dark room under the blanket to unwind the film completely to put it into the case. It made me a bit nervous but the result was worth it.
Samples
Saturday, May 19, 2007
Dirkon pinhole camera
Former Soviet Union rangefinders are Russian clones of German design, and the quality can be quite good; my Dirkon is an American (your truly) clone of Czechoslovakia design, and quality is awful... I got light leaks everywhere and the film advance mechanism is totally suspect. The spacing between each frame is quite large, and sometimes I forgot to turn the knob enough and got some overlapping frames. At the end of the roll, I didn't know and forced the film advance knob to turn, and broke it... The lens hood also popped off at the end of the roll...
Sounds like an awful experience? Well, not at all. There is something about going back to the most basic kind of camera that gave me a warm and fuzzy feeling. The results remind me of the first photograph of a person at Wikipedia. My photos were blurry and mostly overexposed, but there's no denying the unique character of them. I doubt can I replicate the effect in Photoshop. The most satisfying thing is that I constructed this camera by my own hands. Putting a pinhole body cap on an SLR body is easy; making the entire body is something on another level. I can only imagine how Mr. Yasuhara felt when he created the T981.
(Dirkon pinhole x Kroger 200)
Friday, May 18, 2007
ayumi hamasaki x HelloKitty x LUMIX collaboration camera!
For about US$450, one gets a FX30 with special face plate, special box and case. The FX30 is the exact same spec but with a special shutdown logo . It is very stylish and I have to say fits the Asian taste extremely well. While Ayu's popularity has waned somewhat in the recent years, she's still a strong fashion icon and it shows in her new line of ayumi hamasaki x HelloKitty items.
Sunday, May 13, 2007
Canon PowerShot S5 IS manages to bore the masses
Aside from the face detection autofocus feature that became standard this year, I really cannot find anything different between the S3 and the S5. Ok, it does look sexier. If you can find the S3 (or even the S2, which is almost identical to the S3...) for a deal, there's simply no reason to pay the premium to get the S5.
Tuesday, April 24, 2007
Replacing the light seals on old cameras
The Yashica GSN is a 30 year old camera. The original foam has returned to its primal state - sticky goo. This is very common with old cameras, as seen also in my Canonet QL17 GIII here. The goo is sticky, does not block light anymore and could get everywhere inside the camera. Luckily, it's not too difficult to replace them.
From recommendations on rangefinderforum, I got the light seal kit from Jon Goodman. His eBay id is interslice. He offers a smaller kit and a bigger one. I got the smaller one. The kit came quickly. It contains a few pieces of foam in different thickness, instructions and a wooden tool to help clean the old seals. Jon also sent me a link to his instructions for specific cameras. Some people would recommend getting cheaper foam from a local craft store, but I'm lazy and wanted assurance that I'm using good material that would not damage my camera and also last a long time. Depending of the type of camera, even the small kit can easily fix 4 to 5 cameras.
I used 70% Isopropyl Rubbing Alcohol from Longs. It does a nice job of melting the old light seals. Then I used tissue paper to remove the goo. It takes patience but it's quite fun. There is no need to do a perfect job here, really. After that, I started installing the new seals. I found the 2mm long strips in the kit especially useful; they fit perfectly into the door rails of both my Yashica GSN and Canonet QL17 GIII.
After the easy part, I had to cut the foam from the rest of the material in the kit. Using a sharp knife makes the job much easier. I also find cutting from the paper backing side instead of the foam side reduces curling and the foam sticking to itself. Again, be patient and it WILL be done. Here's a picture of the completed film door.
Tuesday, April 10, 2007
Yashica Electro 35 GX
The Yashica GX is the last of the fast-lens Electro 35 series. It has a Color Yashinon DX 40mm 1:1.7 lens, a hot shoe and PC connection, a 8-second self timer and shutter lock. The camera is aperture-priority ONLY: set the aperture, and the camera decides the shutter speed (stepless from 1/500 to several seconds). Over and under exposure arrows light up to warn the user if shutter speed needs to be higher than 1/500 or lower than 1/30. There is NO manual mode, which is a limitation. The shutter is an electronic Copal leaf shutter, which means flash sync at any speed (great for fill flash). Film speeds of ISO 25 to 800 are supported.
The GX is routinely referred to as the zenith of all the previous Electro 35 rangefinder cameras. It is basically the same camera as the Yashica GL (great camera), but quite a bit smaller (even better). The silicon meter new to the GL and GX is more reliable than Cds cells, and MUCH more responsive. The 40mm lens is slightly wider and easier to use than the usual 45mm lenses; though not as wide as the 35mm Yashica CC, it does not have the shutter and diaphragm compromises. The GX represents the best compromise between big, fast lens and compact design.
The GX features a Flash Pulse Selector auto flash system, if it's used with the ES-20 Auto strobe. It is close to the TTL flash systems today (more like ATL). The flash has an extra contact on the shoe to communicate with the light meter on the GX. As the flash fires, it uses the meter to learn when to stop output. If the flash exhausted its power and the image is still underexposed, the GX will automatically close the shutter at 1/30 to prevent blurred photos. With ISO set to 100, lining up the ISO lever and the flash symbol on the barrel corresponds to an aperture of f4, where the flash effective range is 5m. Unfortunately, this feature is not present with other strobes. When using a third-party auto flash, there seems to be no way to fix shutter speed at 1/30 easily, a feature I like very much on the GSN. If anyone have tips on how to do that, please let me know.
I love this camera. It is small and light enough that I can carry it all day. I did that with the GSN too but my shoulder would be sore afterwards. The GX takes sharp pictures and shines in low light situations. Recently at a friend's wedding, I shot a roll of Natura 1600 film at 800 and the photos came out better than my Panasonic Fz7.
There are a few issues though. The GX only goes up to ISO 800, which is a bummer. The ISO setting lever is very inconvinent compared to the dial design, makeing exposure compensation difficult. The camera is quite a bit lighter than the GSN, and overall does not fell as solid.
You can search for GSNs on eBay with keywords Yashica GX, or a broader search Electro 35 will get you the entire family.
Samples
(Yashica GX x Fujicolor Reala)
(Yashica GX x Fujicolor Pro 400H)
(Yashica GX x Fujicolor Pro 160S)
Related
Wednesday, March 28, 2007
Ricoh Caplio GX100 brings 24mm back to compact digital cameras
This camera must be designed to steal the thunder from right underneth the Sigma DP1. It's sensor is "only" 1/1.75", but it's already larger than most compacts. The sensor is 10 megapixels, with support for JPG or RAW. Max shutter speed is 1/2000(same as the GR Digital), which is quite nice for a compact.
On top of all that, the GX100 will feature the first ever detachable LCD viewfinder! This camera is like the DP1 on steroids... If you look right under the hot shoe, you can see a little port for the viewfinder connection. This is truely exciting times we're living in. The camera is estimated to be around $750, quite reasonable for what you're getting, and a really strong alternative to the DP1 if it were to go above $1000.
UPDATE: The detachable viewfinder sits on the hotshoe and can be rotated up 90 degrees! The camera also contains CCD-shift image stabilization. At the announcement event, the GX100 is called the Mini Cooper of cameras. I think they're right :)
UPDATE2: Ricoh corrected its news release that claimed the detachable LCD viewfinder is the first in digital history. Actually, the 1998 Fuji DS-330 1.3 megapixel digital camera is the first ever digital camera with this feature. For more details of that camera, visit Steve's Digicams for the DS-330.
Panasonic Lumix FX07 Urushi (lacquer)
Urushi is lacquer art form common to many south east asian cultures. Japan has a rich tradition in this art. Last year, Panasonic released the FX07 with 5 different lacquer finishes. These cameras are done by the same company that did the ultra rare Leica R7 Urushi. Web images can't do these cameras justice; the 3-dimensional finish is incredible. Each color is limited to 100 units. Of course, luxury comes at a price. At 59800yen, these cameras cost more than double the regular FX07.
Tuesday, March 20, 2007
R-D1s Lens Kit - last call for the Epson Rangefinder?
Epson announced the R-D1s Len Kit (R-D1sL), to be available in Japan in April. The kit will come with a Cosina Color Skopar 28mm F3.5 lens in black with round hood, a M-Bayonet Adapter, a special neckstrap and a soft leather half case (silver or red fonts).
The Color Skopar 28mm lens on the R-D1s becomes a 42mm given the sensor size. It is very close to the normal human perspective (43mm). It's F3.5, not the best low light performer but it's small and light, making the combination very useful for street photography. The included Leica mount adapter expands the lens options for the R-D1s, which otherwise is a $55-dollar part.
As we know the production of R-D1 has ended. This is possibily the last clearing of stock before Epson completes sells out of its inventory. With the revival of film rangefinders, one would think the digital rangefinder market should be sizable. At almost $5000 for the M8 (body only, in comparison the Canon 5D is about half the price), one would think there must be money to be made here, no?
Friday, March 16, 2007
Canon SD800 IS Digital ELPH review roundup
It's rare Dpreview gives a Canon camera anything but Highly Recommended. The SD800 received a Recommended only because the image quality is actually a step back from the previous SD700. DCRP recommended it citing the very useful lens zoom range. I personally feel it's just another Canon, not much innovation but you can't really go wrong with it.
Pentax K10D review roundup
The consensus seems to be that the in-camera processing engine does not do the K10D justice. You will be able to squeeze much more quality from RAW than shooting in jpg mode. This is a bummer somewhat. Otherwise, it has gotten good reviews from Dpreview and DCRP. My only concern is the short supply of lenses. The fabled FA 50mm f/1.4 and FA 43mm f/1.9 Limited lenses are almost as hard to find as the Nitendo Wii. This has driven the price of SMC-A 50mm (f/1.7 and f/1.4) lenses up on eBay. Pentax has promised to make more digital-only DA lens soon. Let's hope they deliver and we get a new competitor in the DSLR field dominated by Nikon and Canon.
Thursday, March 8, 2007
Sony Cyber-shot DSC-G1 comes with big screen TV
The DSC-G1 has the unusual 2GB of internal memory, which can save a memory stick purchase (those things are expensive). The G1 also has the ability to send photos wirelessly to other Digital Living Network Alliance (DLNA)-enabled devices, such as another camera or a PC, a nice touch to save the hassle of wires and memory stick readers. I have to say this is one of the best extra-featured camera we've seen yet.
The camera itself is just like any other Cyber-shots out there, 3x optical zoom 6 megapixel with many scene modes. It will ship in April for $600. A little steep but would certainly be a great gift for anyone.
Sigma DP1 - the future is here
The DP1 features a 28mm (35mm equiv) f4 lens with 6 elements in 5 groups. Most people will not even consider anything less than a 3x zoom these days, but a fixed lens often means better quality because it's optimized with less moving parts. On a SLR, even cheap primes (fixed focal length lens) perform better than much more expensive zooms. I expect this lens to perform well; afterall, Sigma is really a lens maker and making cameras is just a part-time job :)
The DP1 looks like a rangefinder. There are even optional accessories to make it look even more like one. There is a optical viewfinder that can be put in the hotshoe, and a rectangular hood! I suspect this camera will create waves in the rangefinder community who might find the Leica M8 and Epson R-D1 too expensive.
There has long been talks about why we don't have something like this yet, and finally Sigma brought it to us. Thank you very much. Visit their special site for more details of the Sigma DP1.
Kodak EasyShare Z712 IS features ISO 3200
The specs are very similar to the Panasonic FZ8. The lens is 36–432 mm (35 mm equiv.) f/2.8–4.8, which is the same range, though the wide end f4.8 is a bit weaker. The LCD is 2.5" with 230K pixels, and the viewfinder is also 115K pixels. Kodak claims to have Best-in-class click-to-capture speed of 0.26s. We'll have to wait for the reviews to see if it's really as good as the claim. In ISO 3200 mode, pictures are limited to 1.2 megapixels, quite small but might be useful for example in a dark aquarium where it's dark and fishes are swimming fast.
At a MSRP of $299 and the Kodak name, this camera will surely get a lot of attention. Similarly lower-priced superzooms include the Fuji FinePix S700.
Tuesday, March 6, 2007
Samsung NV7 OPS Reviews Roundup
Reviews from different sources:
Nikon D40x is official!
A detailed hand-on preview is already online at dpreview.com.
Friday, March 2, 2007
Sony DSC-W200
The W200 has a whopping 12megapixel 1/1.7" sensor. This is the most compact 12 megapixel camera to date. It's now 2 times the resolution of the Nikon D40, its entry-level DSLR (we'll see a 10 megapixel D40x soon though). The W200 spots a 3x optical zoom lens (35-105mm f2.8-5.5). What's interesting is that the lens for W90 and W80 are 35-105mm f2.8-5.2, very slightly faster probably because of the smaller sensors (1/2.5"). I hope this doesn't imply vignetting in the W200 (because the sensor is too big for the lens). It comes with all the standard features of this year: face recognition, ISO 3200, HDTV compatible (with optional cable). The LCD is 2.5" with 115K pixels, somewhat disappointing. I hope this translates into a cheaper street price to compete with great compacts from Panasonic and Canon.